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Cornelisz van Haarlem The Wedding of Peleus and Thetis oil painting reproduction


Cornelisz van Haarlem

The Wedding of Peleus and Thetis

1593 Frans Hals Museum, Haarlem
Painting ID::  1493
 

 

cornelis cornelisz The wedding of Peleus and Thetis oil painting reproduction


cornelis cornelisz

The wedding of Peleus and Thetis
(1562-1638). Dutch painter
Date ca. 1592-1593 Medium Oil on canvas Dimensions Expression error: Missing operand for *246 ?? 419 cm
Painting ID::  70425
 

 

cornelis cornelisz The Wedding of Peleus and Thetis oil painting reproduction


cornelis cornelisz

The Wedding of Peleus and Thetis
(1562-1638). Dutch painter
1593(1593) Medium oil on canvas Dimensions ? x ? in cyf
Painting ID::  88950
 

 

Peter Paul Rubens The Wedding of Peleus and Thetis oil painting reproduction


Peter Paul Rubens

The Wedding of Peleus and Thetis

1636(1636) Medium oil on canvas Dimensions 10.5/8 x 16.6/8 in cyf
Painting ID::  91324
 

 

Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
The Wedding of Peleus and Thetis
1636(1636) Medium oil on canvas Dimensions 10.5/8 x 16.6/8 in cyf

        
   
 

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